I shared my background as well as some useful information about issues photographers face as we capture musicians in this Chicago Jazz Magazine interview. Take a look.
Category Archives: Musicians Photography
SLIDESHOW – The city was asked to stay at home during Spring 2020. All clubs were closed. I decided to reach back to earlier dates as an exercise in remembering and enjoying some wonderful jazz and blues musicians. Here is the first of a series of slideshows to celebrate their talents. Photos include Guy King, Juan Daniel Pastor, Patricia Barber, Dana Hall, Hunter Jay Diamond, Quentin Coaxum, Paul Wertico, and Isaiah Collier.
SLIDESHOW – Chris Greene Quintet performed Stan Getz ‘s CAPTAIN MARVEL at the Jazz Record Art Collective. The visual artist was Abena Motaboli. Chris Greene on reeds, Damian Espinosa piano/keyboards, Marc Piane bass, Steve Corley drums. Chris Edwards percussionist
12/23/19 – The Patricia Barber Trio performed at Chicago’s Green Mill during their regular Monday night residency. Songs from her highly praised latest album, “Higher”, were featured. Barber on piano, Larry Kohut on bass, and Jon Deitemyer on drums.
To quote National Jazz Critic Neil Tesser, Sill’s “… oceanic tone carries on a Chicago bass tradition that starts with Milt Hinton and runs through such artists as Wilbur Ware and Rufus Reid”… Here he accompanied Mike Jones on piano and Eric Montzka on drums at a recent Green Mill gig.
Rocking Chair on the Porch of a Hyde Park Chicago Home.
“Integrating Industrial Design With Nature” I shoot what I see and when I see something that is beautiful to me I have to capture it, then explore why. Here are lines and colors that could easily be dismissed unless I isolated them and experimented with colors and textures to arrive at a pleasing result.
“Urban Sketch #37” There are times when I just have to make an image. Right now, wherever that may be. I captured this scene with my smartphone while riding on a bus. Later I cropped it and experimented with a wide variety of filters and adjustments to finally achieve this result. Making a photograph look like a painting, sketch, or etching is fine with me. The end justifies the means…even when you don’t quite know where the end is.
“Crossing State and Adams” The challenge here was to change the scene so that people could not be identified. In the process I tweaked colors and made the architecture look like it had been painted. Shadows were fun to play with too. I like how they help frame the image.
As I waited in an old Chicago neighborhood on a warm sunny day for my client to arrive the buildings and doorways came alive with their stories of lives over the years. Here is a section of the kind of fire escape that once was seen everywhere. Now they are rare. I wondered if it has ever been used.